Tools of the TradeThe ever-changing list of my go-to gear Most of the work I do is performed out of my creative studio, behind the wheel of a heavily modified Land Rover, or through the viewfinder of a Canon. Many of the tools I use are custom fabricated by yours truly, sometimes because what I need doesn’t exist, or more often because I simply enjoy building things with my own hands. I originally posted this on the about-me page at Layne Studio after being asked “What __________ do you use?” once too often, but since the studio involves more than just me now it’s time this list moved to the blog proper. This post is just an overview, I might write up an in-depth with the how’s and why’s of each category if anyone would find it helpful. Read along for the details or just click here to skip down to the bullet list of links so your inner-consumer can run wild and free. Camera Gear The Big Guns: I shoot with a variety of Canon gear, but my go-to and favorite is the 80D. It’s durable, light weight, and inexpensive enough to take risks when getting the shot. I use three main lenses: a Sigma 18-35mm f1.8 Art (my personal favorite) for most portraits and some travel/vehicle/landscape work, a Sigma 18-300mm f/3.5-6.3 macro-capable travel zoom, and a Canon EF-S 10-22mm f/3.5-4.5 wide angle for grabbing wide vistas or interior shots. The Canon 10-22mm wide is due to be replaced…likely with Sigma’s superior constant-aperture variant. Yes, I’m a Sigma fanboy…because, science. Rolling Light: I loved Canon’s pocketable S-line of cameras, but since they’ve been discontinued and the latest rendition predated modern processors and sensors I’ve reluctantly moved on…to the Canon M50. It’s basically an 80D crammed into a rangefinder body; it’s just as capable as it’s big brother, and runs the same glass when paired with the EF-EOS M Mount Adapter. With the native EOS-M lenses it’s the perfect walkabout and hiking camera. Computing Gear Hardware: In the studio my workstation is a personally built Intel-powered, liquid cooled, quad-core PC tower. It’s currently clocked at a conservative 4.4GHz, drives multiple color-calibrated monitors (lead photo), and houses a RAID array large enough to eliminate the need for a separate file server. Communication and general office needs are handled by Google for Work, with weekly on-site and monthly off-site backups of all data. In the field I use a custom built ASUS X202E with enough solid-state storage to back up my cameras on a multi-week expedition. It’s small enough to… NSFW · Explicit
Yeah, I Said FuckDon't let "what if?" be the excuse Explore for a moment the what if’s?—not the hesitation born of fear, but anticipation of the limitless opportunity blazing a new path might bring. What if we broke with tradition and walked, leaving the paralyzing stress of clinging to what was behind? What if we embraced change, and used the contrast of decay to spotlight all the beauty that surrounds us? What if we dared bolder and lived deliberately? What if we shout FUCK IT!, cast off those chains of hypocrisy we’ve worn in the name of being a “reputable cog” in their machine, let go of the worry that our passions might be revealed, and chase after what they tell us can’t—or shouldn’t—be done? Creative is what I do, after all. That talent is useless if I never use it, if I leave what I’m passionate about on a dusty shelf, or if I forever lock away what I create. I refuse to let what if be an excuse, and so… New on Chazz Layne Daughtcom Raw: Experiments in Light and Passion Often, there’s so much more to an experience than can be summed up in a single photo on Iggy, but not quite enough to fill an article. Sometimes the subject matter just isn’t relevant to any of the magazines for which I write…or appropriate for a work-safe portfolio. These experiments of passion—when they generate share-worthy results—now have a home here: Raw. (Warning: always tasteful, often NSFW) Work: Published and Other Most of the larger projects I’m involved in eventually make it to The Layne Studio’s portfolio. Magazine articles, campaigns in progress, and other smaller projects have gone more or less unshared…until now. Merch: Stuff & Things I like to tinker—creating art, furniture, and other things I want to see made. Some of it goes to clients or is sold in partner shops, other items are more personal and now live here. Free shipping to the USA on most merch, and yeah, I will consider custom requests. My dead camera is getting replaced this week in preparation for a busy summer. Follow along via @chazzlayne on Iggy (daily), or weekly(ish)less frequently on YouTube and Facebook. Give a shout if I’ll be in your neck of the woods, I’m always down for an impromptu meetup; and please keep the comments coming, my creative lives off of your feedback. Cheers!… NSFW · Explicit
WorkstationGeeking-out with a ground-up build. As you can see above, I have a pet Dalek that handles all my color calibration needs. Ok, not really, but “CALIBRATE! CALIBRATE!” was the first thing that popped into mind when I set about taking the newly-calibrated workstation for it’s first edit run after an absurdly long, four-monitor calibration process. But, I’m getting ahead of myself… Many of you know I’ve done photo edit for a certain premium magazine for the last few years. Unfortunately, due to some recent eye-health concerns, I need full control over my environment (especially lighting) to get any significant amount of time at a computer—a difficult feat in an office space shared with a half-dozen other employees. I had access to a fairly decent workstation on-site, but it had three fatal flaws: The iMac’s built-in monitor is notoriously difficult to properly calibrate. Note: none of the Apple displays offer wide gamut or accurate color reproduction. The Mac OS, from Lion to Mavericks, is horribly bug-ridden and inefficient (Yosemite isn’t half bad). It wasn’t mine, so I couldn’t exactly move it to a dark cave during edit sessions. My creative consulting business picked up around the same time, and as generously accommodating as the magazine was: working for Client B while on-site at Client A’s facility is just plain awkward. A home studio was the answer, and that new studio naturally needed a new workstation at the center of it. Some of HP’s latest offerings sounded enticing, but a $5,000 investment before approaching the specs I wanted did not…time to go custom. Things haven’t changed much since I last built. Things have change a lot since I last built. The last time I did a chassis-up build AGP was the standard for performance graphics. Other than my custom notebook—which was really just a matter of swapping drives, memory, and wireless cards—my last custom build was over a decade ago. That’s a lot of time for old technologies to die off, and new complexities to be invented. Fortunately, the new hardware is more forgiving of incompatibilities, and there are great sites like PC Part Picker to help minimize such issues before purchase. The best change I’ve noticed? It’s easy to find blacked-out hardware and components. Here’s the PCP Build Sheet, but in a nutshell: Liquid-cooled Intel Core i7 4790K 4.0GHz quad-core processor (running at 4.4GHz) 32GB of DDR3-1600 memory Twin EVGA GeForce GTX 750 Ti “For The Win” Edition (I couldn’t resist) video cards 250GB M.2 Samsung 850 SSD for boot and apps… NSFW · Explicit
Water System in a CanLife with Living Overland’s clever plug-and-play 12-Volt Overland H2O System The debate over stand-alone jerrycans versus integrated RV-style water systems has raged on since the first time a family went overland. Cans offer all the rugged reliability you could want and are easy to transfer from vehicle to vehicle, but lugging a full can out of the truck at each campsite is a pain. On-board water is the ultimate in convenience, but rough terrain can cause leaks and flood your interior or worse: leave you with no water. What if you could have your cake and eat it too? Living Overland’s 12-Volt Overland H2O System aims to provide just that. The Overland H2O System is available as a pre-assembled drop-in unit or as a DIY kit. The latter option is a good choice if you like to tinker or have any intention of customizing the setup (Anderson 12-volt connection, different style water tank, etc). I’m glad Beau sent us the DIY kit version, because popping a pre-assembled unit onto a jerrycan and saying “Look, running water!” would not have made for an informative evaluation. Yes, the completed assembly is really that easy to use. First up in building the kit is reading over the directions, then slicing off part of your beloved Scepter’s lid to make way for the faucet. The rest of the process reads like a Daft Punk song: drill it, tap it, splice it, solder it, heat it, thread it, fit it, fill it and in about an hour the assembly is ready for testing. I had doubts, but the grommet/wire combo seals quite well and passed the 5-gallons-upside-down-for-30-seconds test drip free. It’s a good idea to add a little silicone when you thread the faucet into the lid, especially if the hole wasn’t tapped cleanly. The finished product is ready for kitchen duty as quickly as flipping the faucet over and plugging it into a power point. The faucet folds nearly flat for travel, and transfers from can to can as easily as swapping lids. While the exposed faucet hardware does make the system a little more fragile than a regular can, that shouldn’t be a problem if you’ve properly strapped in your 45-pound can of water. The variable-speed Whale pump used in this system has plenty of pressure at over two gallons per minute, and at full-tilt will empty a can in just over two minutes. As a bonus, it also has a low enough draw to run directly off a 30-watt solar panel (at a slightly slower speed). Find the 12-Volt Overland H2O System in DIY kit or… NSFW · Explicit