Don't let "what if?" be the excuse – Explore for a moment the what if’s?—not the hesitation born of fear, but anticipation of the limitless opportunity blazing a new path might bring. What if we broke with tradition and walked, leaving the paralyzing stress of clinging to what was behind? What if we embraced change, and used the contrast of decay to spotlight all the beauty that surrounds us? What if we dared bolder and lived deliberately? What if we shout FUCK IT!, cast off those chains of hypocrisy we’ve worn in the name of being a “reputable cog” in their machine, let go of the worry that our passions might be revealed, and chase after what they tell us can’t—or shouldn’t—be done? Creative is what I do, after all. That talent is useless if I never use it, if I leave what I’m passionate about on a dusty shelf, or if I forever lock away what I create. I refuse to let what if be an excuse, and so… New on Chazz Layne Daughtcom Raw: Experiments in Light and Passion Often, there’s so much more to an experience than can be summed up in a single photo on Iggy, but not quite enough to fill an article. Sometimes the subject matter just isn’t relevant to any of the magazines for which I write…or appropriate for a work-safe portfolio. These experiments of passion—when they generate share-worthy results—now have a home here: Raw. (Warning: always tasteful, often NSFW) Work: Published and Other Most of the larger projects I’m involved in eventually make it to The Layne Studio’s portfolio. Magazine articles, campaigns in progress, and other smaller projects have gone more or less unshared…until now. Merch: Stuff & Things I like to tinker—creating art, furniture, and other things I want to see made. Some of it goes to clients or is sold in partner shops, other items are more personal and now live here. Free shipping to the USA on most merch, and yeah, I will consider custom requests. My dead camera is getting replaced this week in preparation for a busy summer. Follow along via @chazzlayne on Iggy (daily), or weekly(ish)less frequently on YouTube and Facebook. Give a shout if I’ll be in your neck of the woods, I’m always down for an impromptu meetup; and please keep the comments coming, my creative lives off of your feedback. Cheers!… Yeah, I Said Fuck
Long live the 70D! – Not long ago, believing I was fighting with a damaged Canon 50mm f1.4 lens (which is notoriously fragile), I started shopping for a replacement. I considered picking up a Canon 35mm f2 IS USM at first, but after the frustration of a botched shoot caused by failed focus on the 50mm, and stellar performance from Sigma’s rock solid 18-300mm lens, I decided to give Sigma’s Art glass a go and ordered a Sigma 18-35mm f1.8 Art. I’d only just finished calibrating the new Sigma to my trusty 70D when I noticed a dark shadow cropping up in the bottom half of the frame… After a few “WTF?” moments, and a few lensless exposures later, the 70D produced this tell-tale image… That was while pointed at an entirely white screen. I may or may not have been fighting with a damaged Canon 50mm earlier, but I definitely have a dead shutter in the 70D now. In all fairness, it’s hard to fault Canon as I do have around 100,000 actuations on the shutter…and they were not easy miles. The final verdict on the 50mm’s fate will have to wait until my camera is repaired or replaced, but either way, I’m keeping the new Sigma. This last photo is the last photo that my 70D successfully took, and really showcases one of the Sigma’s seldom mentioned talents: macro photography. Web-resolutions really don’t do it justice—those are scratches in the switch, not blur. If you’re considering the Sigma 18-35mm f1.8 Art, and are curious just how sharp it really is, click here for the full-resolution copy of the above image and start counting the grains of dust… I picked up the Sigma as a reliable replacement to the 50mm for portraiture, thinking I’d be able to do landscapes as well since it zooms out to the 18mm mark—one less lens change is one less chance for dirt to enter the camera in the field. I had no idea the minimum focus distance was so low, or that it would be so incredibly sharp. For reference, I’m almost touching the base of that lamp with the front of the lens, and the switch is only a fourth of an inch wide. I can’t wait to get this lens on a new body and see what it can do.… The 70D is Dead